The Rock Walk is my weekly ritual, in which I carry on the dying tradition of record shopping. The highlight of this week's purchases (which also includes the UK version of the Clash S/T and the 25th Anniversary London Calling, both of which I've long resisted) is the re-issue on the Only Ones first album.
These Londoners (Peter Perrett on vocals/guitar, John Perrett on guitar, Alan Meir on bass and Mike Kelllie on drums) defied the punk orthodoxy, already calcifying by 1978, by not hiding their chops, their songcraft or even their age. These vets used punk as a opening but, like so many musicians of that era, they had no intention of living by its strictures. Their first single, the brilliant power-pop masterpiece, "Another Girl, Another Planet", has led many to label The Only Ones one-hit-wonders. This is stupid. One, "Another Girl, Another Planet" was hardly a chart hit upon its first (U.K.-only) release and two, they have a bucketful of other sterling classics for you to enjoy.
MRML Readers: Please don't forget to add your Only Ones memories, reactions and reviews in the comments section.)
Many readers here will be already be deeply familiar with this song already (even if only through the many covers) but if this perfect classic is all you know about the greatness of the Only Ones then you owe it to yourself to go out and but the real albums, available at Amazon or your local music dealer.
A very grizzled version of the Only Ones returned (as of 2007) having survived heroin and mass indifference. There's new work coming and on-going tour.
Sewer Trout's (see here) discography was briefly released on a CD entitled From The Forgotten Memories Of Punks Failed Hopes And Forgotten Dreams Loom..., only to disappear soon after. I bought my copy at this basement record shop in Calgary. The owners had let the band I was touring with, the Paperbacks, crash in their filthy storage room. So, after a fun-filled show at a Tiki lounge, we did some late night record shopping, took a nap, payed for our purchases and hopped back in the van.
Since like so many punk odds n' sods compilations, it cluttered up the good stuff (the two 7"'s, the 10" and the comp tracks) with live tracks and muddy, demoish material. So, back in Winnipeg, I soon ditched it, which I now regret since it's hopelessly out-of-print.
Sewer Trout's (see here) 1990 10' e.p, Flawless, is pretty aptly named. Unlike the band's early work, which sometimes suffers from too many simple songs and sub-cultural in-jokes, like another funny-punk band touched by suicide, the Dead Milkmen, this one nails what it sets out to do.
Like it's predecessor, Songs About Drinking, this record's first note is a peal of laughter but from then on it's whole a different bag of milk.
These final songs still cover ludicrous subject matter from psychopathic cats named after Frida Kahlo ("...but spelled differently") to conspicuous consumption vs. Communism to K-tel punk rock nostalgia to post-millennial dispensationalism but the band bristles with a new-found confidence. The music follows suit, with harmonica breaks, country beats and strong melodies - it's all still punk rock but somehow much more too. Some of the witty, catchy highlights include the Dead-Kennedy's referencing cow-punk of "Holiday in Romania", The Frank Zappa referencing speed-folk of "Frieda Ripped my Flesh", the Jesus referencing ecumenical-rock of "God's Got Balls" and, for the final notes of their career, a straight but moving take on Patsy Cline's (via Harlan Howard) country classic "Foolin' Around".
{MRML Readers: Sewer Trout's Flawless: Yes or No? Leave us a comment!}
Sewer Trout, with the late Jim MacLean, bass, vocals Hal MacLean, drums Keith Lehtinen, guitar Erik Benson, were an early (circa 1985-1990) Gilman Street punk band.
The band hailed from Sacramento and used sarcasm, hooky, almost folky tunes and plinky bass lines to create a peculiarly original sound.
According to my old Lookout catalog this single, Songs About Drinking,contained a vitally important document called "Is Sewer Trout really the word of God?" but that may be another li'l in-joke, These seven songs are catchy and clever, especially the Dead Milkmen-like cow-punker, "President of the Anarchist Club".
{MRML Readers: Please render your verdict on Sewer Trout in the comments section!}
True, London Calling and The Clash remain the band's most crucial works. However, as distillation of each Clash man's strengths; Paul Simonon's dubby bass, Mick Jones' spidery riffs, Topper Headon's dense beats and Joe Strummer's malaria-fever dream spiels, the song "Straight to Hell" is unbeatable .
The song was recorded on New Year's Eve 1980 for a planned double album entitled, Rat Patrol from Fort Bragg (later judiciously pruned by legendary rock producer Glynn Johns into the single, if uneven album, Combat Rock). When released as a double A-sided single with "Should I Stay or Should I Go?", that hit completely overshadowed "Straight to Hell". Like a sleeper cell, the song waited, gaining strength, till now, twenty-some years later, when between M.I.A., Lilly Allen, Josh Rouse not to mention Elvis Costello and Jakob Dylan, "Straight to Hell" is ubiquitous.
I came to the song through a T-shirt. In early eighties Winnipeg, a pre-teen heard the Clash in fragments; a radio track here, a stolen cassette there and even that friend's-sister's-husband's L.P. of London Calling with the blessed lyrics sheet! And T-shirts. That skull n' bullets icon and that blunt order, "Straight To Hell" conjured up a raging Clash anthem attacking religious sectarianism. So imagine my shock and disappointment upon discovering that the song was a lengthy, somber Asian-reggae ballad.
I soon saw the error of my snap judgment. The music is hot, sweaty, tense and claustrophobic - The Deer Hunter and Apocalypse Now transmuted from celluloid to vinyl. Everything's percussive; Mick's playing congas with sticks, Joe's beating a lemonade bottle wrapped in a towel against Topper's bass drum and at one point Joe's panting drowns out everything.
Lyrically, Strummer is at the summit of his power, channelling the raw voices of Woody Guthrie, Allan Ginsberg and Bob Dylan into a seething and menacing State of the World address that roams from Britain to Vietnam to America.The song's brutal account of the world's indifference to its outcasts, makes it like a modern version of Woody Guthrie's, "Deportee (Plane Wreck at Los Gatos)", which decried American mistreatment of Mexican migrant workers back in the forties. This compassion, melded to to such startlingly original music, is what keeps the song alive; after all, the poor, the homeless and the dispossessed are not only still with us, they're now pounding on our doors.
The Clash - Straight to Hell (Live from New York!)
Now, for the masochistic-obsessive, MRML presents twenty-two different versions of "Straight to Hell". You may listen in the jukebox below if you're really strong enough to endure it as one consecutive onslaught
{MRML READERS: Make sure to leave a comment on "Straight to Hell", the original or one of these covers!}
*A number of these songs are still in print, so if you do download them, for educational purposes only, please remove the files from your computer within forty-eight hours.
1. The Clash
This is edited 7" version - it's too damn short but check out that vinyl picture disc up above!
2. Elvis Costello and Jakob Dylan*
An Elvis and a Dylan (but the not the most iconic ones) make a curious combo that reveals the flexibility of a song, that did not sound so malleable on first listen. (Video here)
(*Thanks to Marky Dread for the nice rip)
3. Amy Loftus and Will Kimbrough
Americana Americans Amy and Will's may not have performed the only alt-country version of the song but it is amongst the most striking covers herein.
4. Steve Ketchen & the Kensington Hillbillies
These Canadians also play the song country-style (or as they describe it "Stan Makita at the Grand Ole Opry") but with more of a bluegrass feel.
5. Lilly Allen (feat. Mick Jones)
Lilly, Joe Strummer's god-daughter, got Mick Jones to sing and play on her cover, which has a few virtues, none of which include having come to any personal understanding of her Godfather's words.
6. M.I.A.
Brit-sensation M.I.A. didn't start the revival of this song but by using the guts of the song and adding a more violent take on the misery Strummer surveyed in his version, she created a 21st century anthem from it ("Paperplanes" video here).
7. Skinnerbox
Of course there's rocksteady version by these first-year Psych lovin' NYC'ers.
8. The Menzingers
While these boys from Scranton, PA pound the shit out of this song to great effect, they also succeed in making the original song seem even stronger.
9. The Pogues (with Joe Strummer)
This legendary Anglo-Irish band did a full-blooded Celtic-punk run-through of the song live (seeing it almost stopped my heart) but none of the recorded versions really capture that intensity.
10. Phil CodySomewhere between Dan Bern and Ani Difranco in the nineties New Dylan sweepstakes was Phil Cody, a performer of singular intensity. (video here) 11.Emm Gryner
Emm must have figured that if Tori Amos had gained fame by tinkling the ivories on an alternative rock anthem (see Tori's version of "Smells Like Teen Spirit") then she could ten-up Tori with an album of alt-rock standards called Girl Versions and so she did.
12. Josh Rouse
American singer-songwriter gives the song a Valium.
13.Bill Janovitz
This former leader of Buffalo Tom does a kinda bare-bones, college-dorm version but with just a hint of malice.
14. Balsam
These Swedish pals of the Hives performed a credible version during what seems like it must've been a pretty burning night of tributes to Joe.
15. Chum
SoCal band make the song instrumental surf-rock.
16. Joe Strummer and Latino Rockabilly WarThis song was a constant in Joe's repertoire and one always senses that he understood that it was one of his crowning achievements. (Mescaleros video here)
17. Red Letter Day
This U.K. band (in 1991, they played the Clash to Mega City Four's Buzzcocks) try to make "Straight to Hell" sound like an outtake from Give 'Em Enough Rope with a little less success than I'd have wished for.
18. Cienfuegos
Argentinean band do a Latin-tinged version partly sung in Spanish, all of which woulda made Joe happier than a pig in shit. 19. Moby feat. Heather Nova
In case you haven't heard enough moody version yet, let a former member of of the Vatican Commandoes and Bermudan-Canadian alterna-chick Heather Nova do one more.
20. Hot Club de Paris
At first this U.K. band's acoustic Brit-pop version is just sorta there but it grows on you...
21. The Great Depression
My fellow Danes (on my father's side anyway) do a quiet, menacing take, which reminds me a bit of the National's version of "Clampdown".
22. The Clash
The whole 6:52 one from Rat Patrol from Fort Bragg, later released on The Clash on Broadway box set.
The Clash - Straight to Hell (live at the US festival, 1983)
Straight to Hell
(The Clash)
If you can play on the fiddle
How's about a British jig and reel?
Speaking King's English in quotation
As railhead towns feel the steel mills rust
water froze
In the generation
Clear as winter ice
This is your paradise
There ain't no need for ya
Go straight to hell boys
Y'wanna join in a chorus
Of the Amerasian blues?
When it's Christmas out in Ho Chi Minh City
Kiddie say papa papa papa papa-san take me home
See me got photo photo
Photograph of you
Mamma Mamma Mamma-san
Of you and Mamma Mamma Mamma-san
Lemme tell ya 'bout your blood bamboo kid
It ain't Coca-Cola it's rice
Straight to hell
Oh Papa-san
Please take me home
Oh Papa-san
Everybody they wanna go home
So Mamma-san says
You wanna play mind-crazed banjo
On the druggy-drag ragtime U.S.A.?
In Parkland International
Hah! Junkiedom U.S.A.
Where procaine proves the purest rock man groove
and rat poison
The volatile Molatov says
PSSST...
HEY CHICO WE GOT A MESSAGE FOR YA...
VAMOS VAMOS MUCHACHO
FROM ALPHABET CITY ALL THE WAY A TO Z, DEAD, HEAD
Go straight to hell
Can you really cough it up loud and strong
The immigrants
They wanna sing all night long
It could be anywhere
Most likely could be any frontier
Any hemisphere
No man's land and there ain't no asylum here
King Solomon he never lived round here
Go straight to hell boys
"Straight to Hell", it should not be forgot, also begat a wretchedly wonderful Alex Cox punk rock spaghetti western (in which Joe stars) - you'll get the idea from this scene.
MRML is a blog about the devestating effects of culture: music, politics, comics plus etc. blah blah blah. At times MRML will post fine, unpurchasable three-chord obscurica (punk, pop-punk, new wave, mod, power-pop, gospel, reggae, hardcore, rockabilly, folk, country...whatever.) - - - - - - "The otherwise unavailable files in this blog are posted for a limited time and are intended for educational, non-commercial use. These files were transcribed from what are believed to be out-of-print sources. If you are aware of any of these items being readily available from commercial sources, or if any of these files infringe upon rights that you hold, please notify us so that we can quickly remove the referenced items immediately." - - - SUPPORT THE ARTISTS - BUY MUSIC!
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Re: Re-Ups
MRML does not plan to restore all of the content lost in The Great Mediafire Gutting of 2012. Polite requests may be made in the appropriate section, regular commenters will get priority.