Showing posts with label Bruce Springsteen. Show all posts
Showing posts with label Bruce Springsteen. Show all posts

Wednesday, March 5, 2014

Ten Covers for Bruce Springsteen to Play in Winnipeg

 (Image from the crucial Springsteen2Wpg)

Bruce Springsteen is gonna play Winnipeg, Manitoba...eventually! After all, we've got a big new stadium, a fanatic fan-base and a musical history he can plunder for all those ingenious locally-themed covers he's been doing on the High Hopes Tour. A partial list of Springsteen's recent live covers would include: AC/DC's "Highway to Hell" in Adelaide, INXS' "Don't Change" in Sydney, The Bee Gees' "Stayin' Alive" in Brisbane, Lorde's "Royals" in Aukland and (with a slight twist) The Specials' "Free Nelson Mandela" in South Africa. I've ranked the potential Winnipeg covers on my list from least to most likely and have tried to strike a balance between my own personal favourites and the de rigeur local classics. For more cultural awesomeness (music, comics, film, politics etc.)

10.    Personality Crisis "Twilight's Last Gleaming" (1983)
Certainly a million to one shot, this old-school punk band with rock chops dominated Winnipeg's scene in the early 80's thanks in no small part to the antics of barrel-voiced wildman Mitch Funk, who Springsteen would surely admire if he knew of him. Plus, doesn't "Twilight's Last Gleaming" just sound like a Springsteen song title already?




9.    Terry Jacks "Season in the Sun" (1974)
Okay, Bruce (and half of the world) may still harbour mixed feelings about this sentimental song from one of Winnipeg's less celebrated pop figures but it has that epic grandeur in both the chorus and the story-line that would make it fit right into Springsteen's wheelhouse.




8.     Propagandhi "I Was a Pre-Teen McCarthyist" (1996)
Another daringly unlikely choice would be for Bruce to cover a song from the Winnipeg's political thrash lords, whose riffy song about father-son relationships and U.S. imperialism (that's just how those boys roll) is pretty catchy and would be given a twist by that Springsteen intensity.




7.    Greg Macpherson "Churchill" (1999)
While intense rocker Macpherson doesn't hide his adoration of Springsteen, his own brand of music is strikingly singular and Springsteen could do a fantastic Nebraska-esque take on this train ballad of the frozen North.



6.    Bachman Turner Overdrive "Roll on Down the Highway" (1974)
Thematically and musically this chestnut hits all the Springsteen buttons and would have the added benefit of not being "Takin' Care of Business", which at this point has just become part of the musical furniture.




5.    Jeffrey Hatcher "(Born to Be) Riding Only Down" (1995)
Hatcher is just the kind of tenacious, gifted rock n' roll lifer (like Willie Nile, Southside Johnny or Jesse Malin) that Springsteen admires and invites to share his stage. This soaring kiss-off song by The Blue Shadows (with Billy Cowsill of The Cowsills) would be electrifying in a Bruce-E-Street context.




4.    Burton Cummings "Stand Tall" (1976)
Another slightly purple bit of melodic melodrama from the seventies that would get pumped up to gargantuan-proportion by the man and his band.




3.   The Weakerthans "Anchorless"  (1998)
Bruce keeps his ear close to the ground, music-wise, so I suspect he's aware of John K. Sampson & co.'s wordy folk-rock. While the most known entry in the Weakerthans' catalog would be "One Great City", that song's "I Hate Winnipeg" chorus would make it a tough sell for a visitor, even for one of Bruce's stature. "Anchorless", on the other hand a finely-detailed song about the "small towns that we live and die in" would speak very directly to experiences shared by performer and audience.




2.    The Guess Who "Share the Land" (1970) or "Shakin' All Over" (1965)
When it comes to Winnipeg's most famous musical export it's a toss up* between "Shakin' All Over" (already a cover) which would indulge Springsteen's love of early sixties rock that he can stretch out into long vamps and "Share the Land" which plays to his love of social justice mixed with a good tune. Your call, Mr. Springsteen, your call.
*"American Woman" is not only too obvious, it's brand of anti-Americanism doesn't jibe with Springsteen's more subdued criticism of his homeland.





1.    Neil Young "Long May You Run"
There's no question that "Heart of Gold" would produce a rapturous response and be a fantastic choice (as would other Young songs including ones Bruce and Neil have sung together like "Helpless" and "Keep on Rockin' in the Free World"), but "Long May You Run' has those Bruce motifs of running and remembering that would make for an epic show-closer! Plus, Springsteen must be aware that when Bob Dylan came to town he headed straight over to Neil's first rockin' abode as soon as his show was done.  Bruce, let me just say that I guarantee you that we will lead a goddamn parade to Neil's house with you as the Grand Marshal if that's what it takes to get you to visit our One Great City.





So, those versed in Springsteen and Manitoba history, what do you make of these choices? Were there stunning choices that were missed?  Let us know in the COMMENTS section!




Dubious Suggestions: Fred Penner "The Cat Came Back", since even bad ideas, like Springsteen doing a beloved kids song, can make for good entertainment, The Crash Test Dummies "Superman's Song" who's solemn lament for the original superhero would fit Springsteen's vocal and narrative range nicely and Venetian Snares "Winnipeg is a Frozen Shithole" the longest of the long-shots for many, many reasons which are none too hard to discern.

Monday, July 22, 2013

Thursday, November 1, 2012

Bruce Springsteen: Obama for America Rally



Bruce Springsteen's 2012 anthem, "We Take Care of our Own" works as both an exhortation for the present and a condemnation of past failings. Now with Hurricane Sandy showing how it takes a massive and awe-inspiring co-ordination of local, state and federal governments to help people in crisis, Springsteen's song sounds positively prophetic. The storm has effectively silenced those who, like Governor Romney, say that things like disaster relief would be better handled by the private sector alone. The storm has also made allies of the straight-talking if occasionally mean-spirited New Jersey governor Chris Christie and President Obama. That means it's only a matter of time before Christie can finally meet Springsteen (heard here stumping for the President) on common ground; the restoration of their beloved home state.





Bruce Springsteen
nTelos Wireless Pavilion
Charlottesville, VA
October 23, 2012
Solo Acoustic

Recorded 15' from the stage under the stack.
Zoom H4>Soundforge>CDWave>Flac
a G Squared recording

intro by Tim Kaine
No Surrender
[Speech]
The Promised Land
Forward
The River
We Take Care of Our Own
Thunder Road


Bruce played an afternoon acoustic show
at the Obama for America rally prior to
that evenings show at John Paul Jones Arena.




Bruce Springsteen Homepage 

Sunday, April 15, 2012

Bruce Springsteen: Death to My Hometown (2012)



You've heard raves and razzies for the new Springsteen (mostly from the predicable sources) but I'll go bat for this Wrecking Ball.  Sure the massed guitars, the gospel choirs, the Celtic orchestra, not to mention the grand-scale emotionalism, occasionally  border on the ridiculous but hating on Springsteen for going overboard is like hating Michelangelo for being overly-detailed.





Bruce Springsteen Homepage 



Saturday, January 21, 2012

Bruce Springsteen: We Take Care of our Own (2012)



Though I do love Springsteen a tiny bit more each day I'm on this earth, I'm no uncritical fan. I would argue that, while he's never released a terrible Self-Portrait-like album, he's had enough critic-proof middling albums that new releases can be met with some skepticism. That said the lead-off single to the forthcoming Wrecking Ball, "We Take Care of our Own" sounds melodic, triumphant and like a big middle finger to the religion of Republicanism still  gripping his land (and by extension much of our world). Rock on Bruce!





(Watch on YouTube)


Bruce Springsteen Homepage 


Sunday, July 4, 2010

Nobody Sings Dylan Like The Boss


"Hey, I hear you're the new me."


Bob Dylan upon being introduced to Bruce Springsteen.

Much ink has been spilled over Bruce Springsteen's debt to Bob Dylan, which is sizable, but over-stated. Springsteen seems to want to be a struttin', singin' textbook of rock n' roll with as big sections on Elvis, Sam Cooke or Van Morrison as on Dylan. However, like Dylan, Springsteen changes a lot between albums, so much so that when people say "This sounds like Springsteen" you almost want to say "Which one?".


Whatever their similarities and differences, Springsteen has always been vocal about his debt to Dylan, covering songs by his Bobness numerous times throughout his nigh-on forty year career. The covers presented here, all taken from non-commercial sources*, are simply meant to show the power of the Dylan-Springsteen dynamism. This collection's title (I personally avoid use of the term "The Boss" for reasons of hokiness) comes from the from the bootleg pictured above but the final product has been significantly altered and expanded by the obsessive labour of yours truly.

* If my research has failed to uncover an official release herein, I would ask the vigilant Springteen-ians out there to please let me know about that or any other errors in this post.


(hyperlinks are to YouTube versions)


1. Chimes of Freedom (a "live" version was released as a single in 1988, but this one's from '78.)
2. Blowin' in the Wind (Solo acoustic)
3. I Want You (Very find-sounding seventies version from an FM Broadcast)
4. A Satisfied Mind (An old country standard that made it onto the original version of this boot likely due to Dylan's partial cover of it on Saved)
5. Highway 61 (Acoustic version with Jackson Browne and Bonnie Raitt)
6. It's All Over Now Baby Blue (A version by The Bruce Springsteen Band from the very early seventies)
7. One of Must Know (A sound-check version that made it onto the original bootleg despite its limitations)
8. Like A Rolling Stone (not the Hall of Fame version from '88 on which Springsteen is barely audible but a more recent band version)
9. The Times They-Are-A-Changin' (A solo acoustic tribute from 1997.)
10. Knockin on Heaven's Door (1995 duet with Wolfganf Niedecken)
11. All Along the Watchtower (full-band version with Bob himself as a guest.)
12. Forever Young (Duet with Dylan)
13. Springsteen's Hall of Fame induction speech for Bob Dylan

Suggestions, corrections and clarification by those in the know will be added if a "re-issue" is warranted.

(Photo property of Kevin Mazur)

No One Sings Dylan Like The Boss Link is in the comments

Speaking of comments, support your local blogger and tell us what you think of the connection between Dylan and Springsteen - this one is at risk of getting pulled for indifference.

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Happy 4th of July, to all readers, American or otherwise.

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Wednesday, June 30, 2010

Bruce Springsteen: Live Nebraska


As a the final chapter in MRML's Nebraska trilogy (and a tribute to all our great Springsteen commnenters!) here's a bootleg compilation of live performances of songs from that mighty album. There is one more Springsteen post to come but I'm gonna save it for just the right day - which is coming up very soon...



1. Nebraska 11/16/84 Ames, Iowa
2. Atlantic City 11/16/84 Ames, Iowa
3. Mansion on the Hill 10/13/86 Mountain View, CA
4. Johnny 99 11/16/84 Ames, Iowa
5. Highway Patrolman 9/22/94 Pittsburgh, PA
6. State Trooper 9/22/94 Pittsburgh, PA
7. Used Cars East 7/13/84 Troy, Wisconsin
8. Open All Night 8/26/84 Largo, MD
9. My Father's House 10/31/84 LA, CA
10. Reason to Believe 11/16/84 Ames, Iowa
11. Man at the Top 8/5/85 Washington DC
12. Shut out the Light 10/26/84 LA, CA
13. Sugarland 11/16/84 Ames, Iowa


Live Nebraska link is in the comments


Speaking of COMMENTS, let us know what you think of this bootleg.

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Tuesday, June 29, 2010

Bruce Springsteen: How Nebraska Was Born (Two CD Set with booklet)


The sudden rush of sharp, insightful comments on yesterday's Springsteen post heavily favoured Nebraska as one of his greatest accomplishments. This surprised me. It always felt odd that Nebraska was the only Springsteen album I own. I'm usually the guy who likes the rockers on an album and is tempted to skip the ballads but with Springsteen it's the opposite. For instance, when Lucky Town came out, "If I Should Fall Behind" was the track that stuck with me most. While I respect almost everything in the man's oeuvre, it's those songs where the drama isn't turned up to eleven that I return to the most.


Nebraska stripped away most of the soul and R&B fripperies Springsteen had grown famous for and substituted a whisper. Which leaves me a bit curious whether the fans who relate to that Springsteen view Nebraska as an aberration or an apex.


Certainly the number of lavish bootlegs of this era do prove that Springsteen aficionados are anything but indifferent to this aspect of the man.


The How Nebraska Was Born bootleg includes just about every song from this era (including multiple alternate takes), a lavish booklet and a seemingly endless supply of album covers. There's much to love here but as Bruce says, "Love is a dangerous thing".


How Nebraska Was Born (Two CD Set with booklet) is in the comments
.

Speaking of comments, they are what keeps this (and many, many other blogs) alive - so please leave a Springsteen-related observation, review, story or even just a simple thank you, if that's your way.

Vilstef added this link to the section of Dave Marsh's Glory Days that covers Nebraska.

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Monday, June 28, 2010

Bruce Springsteen: Alone in Colts Neck

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Link was taken down due to leeching - three comments, 53 downloads - and then restored thanks to some good souls who left some words behind rather than just taking.


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Interviewer: If push come to shove, what's the best album of all time?

Margo Timmins (Cowboy Junkies): There's no push, there's no shove - it's Bruce Springsteen's
Nebraska.
While determining the canon of rock n' roll involves a lot more push and shove, Nebraska belongs on that list of great works. Nebraska was a fatal blow to the critical theory that bands must develop by adopting an ever-more-bloated sound (a.k.a. The Sgt Pepper Imperative), it's middle-finger to the music industry's ideal of each album selling more than the last plus it's one of the bleakest critiques of American exceptionalism ever put to tape. In short, it's a sorta like a punk rock album disguised as a set of folk songs. If you've played the damn thing as many time as I have, you'll revel in this bootleg of tracks recorded in and around the same time and place. Some tracks are fragments, other were re-recorded for later albums but all have the spooky intensity that makes Nebraska both a push and a shove.



Note: this version of "Alone in Colts Neck" contains
no songs from the album, Nebraska, even "unvarnished ones".



Alone in Colt's Neck link is in the comments

Speaking of comments, please leave one about Nebraska, it's the decent thing to do.

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