Showing posts with label Tilt. Show all posts
Showing posts with label Tilt. Show all posts

Wednesday, February 8, 2012

Tilt: Live at Gilman St. (1994)



Cinder Block was a dominating presence in nineties pop-punk band Tilt (more HERE), which seemed to rub some listeners the wrong way. While perhaps the rub lay in Block's powerful voice, which, since it could effectively alternate between piercing and growling, may have seemed a bit showboat-ish to nineties punk audiences, the most ever-present critique was always of her lyrics. Critics used words like 'elliptical' and 'pretentious' or "Oddly overwrought lyrics...like teenage poetry" to describe her unusual way with words. A male co-worker from the music store I once worked at went out his way to disdain the chorus of "Acathisia", which went something like, "I got these shoes for nothing and they have lasted me forever, searching up and down the long highway".

While I'd be willing to admit that her lyrics do sometimes sound they've come directly from the pages of her writers' notebook, she still has a unique and memorable style of writing. There's not real any analogous lyricist in rock n' roll. Perhaps imagining  combination of Brett Guerewitz of Bad Religion and Exene Cervenka of X might offer an approximation of her style. A favourite Block line of of mine, one that may indicate why the band never gained Riot Grrll cred was the line from "Crying Jag", "Everyone knows I'd sell my sister for cigarettes / Why shouldn't I she'd do the same to me". Love it or loathe it, who else writes like that?




Crying Jag

Everyone knows I'm on a crying jag
Pay me no mind I do it all the time
I could show you
Do you want me to show you
Call it a day or you can pay my way
Gonna cry till I'm all cried out
I could show you
I could easily show you

[chorus]
You may say I live on easy street
You can think anything you want to think
Come by some time my door is open to you
Where I can show you how easy I am

Everyone knows I'd sell my sister for cigarettes
Why shouldn't I She'd do the same to me
We could show you
We could easily show you
If you only knew you wouldn't be so upset
What if she's in league with me
We can show you
We can easily show you

Everyone knows I'm on a crying jag
Pay me no mind I do it all the time
I could show you
Do you want me to show you
Call it a day or you can pay my way
Gonna cry till I'm all cried out
I could show you
Do you want me to show you

[chorus]

*

Their Fat Wreck-Chords near-hit "Libel' from 1995 continues Block's singular style ("Can you hear it? Ignorance personified")





To buttress my argument for Cinder & co.'s power (and to put an end to this sprawling post) I'll offer up a good-sounding live show of the band playing a full-tilt set of songs from their two best albums (1993's Play Cell and 1995's Till it Kills) at the mother church of pop-punk, Gilman Street.


What's your view on Cinder Block's lyrics? Let us know in the COMMENTS section. (where you'll find the Live at Gilman St.  link).


Support the band!

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Fat Wreck-Chords

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Tuesday, January 31, 2012

Tilt: Self-Titled 7" (1992)



During their almost-decade long lifespan, nineties pop-punks Tilt never hit it big. They never seemed to escape their reputation as a second-string band Lookout Records (see HERE) band (even when they emigrated to Fat Wreck-Chords early on). Their lack of strong success is wholly unfair considering the quality of the band's work, though it's interesting to note that their strongest asset may have also been their Achilles Heel.





Back in the seventies, Blondie had to make buttons saying, 'Blondie is a Band' due to the overpowering presence of frontwoman, Deborah Harry. Tilt could have had similar problems due to the strength of presence of leader, Cinder Block. Block's hooky melodies, distinctive lyrics and forceful vocal style sometimes made it seem like she was the 50 Foot Woman and everyone else was the motorists below. Of course, that view overlooks the fine noise Jeffrey Bischoff alongside bassist Pete Rypins and drummer Vince Camacho created. In fact, Bischoff and Rypins wrote Tilt's music because, like Blondie, Tilt were a band. However, Block being such a towering figure did bring out some ugliness familiar to women who choose to stand out. More on that tomorrow...


Tracklist
A1         Addiction     2:10    
A2         Redemption     2:12    
B1         One Day     2:20    
B2         Locust       2:20




What do you think of Tilt and Cinder Block? Let us know in the COMMENTS section. (where you'll find the S/T 7" link).



Support the band!

MySpace

Fat Wreck-Chords

Amazon

iTunes


This post was updated on Thursday, August 9th, 2012.