By 1987, Bragg's records were no longer one-man affairs. While Bragg layered on piano, backing vocals, pretty guitar, and other assorted horns n' strings he began to slowly bury that raw-as-hell guitar and that rough-as-hell voice.
The good news for those of us who love our Bragg performance free of violin, flugelhorn and that damnably tinkly piano sound he favours, there's a tonne of great sounding boots made during this period where Billy still toured solo. This one from Wellington in 1987 includes a slew of tracks from the excellent (despite the excessive fiddly bits) album Greetings to the New Brunette all roughed up.
So do you think Braggy's ever-slicker production took away from his music or added to it? Leave us a COMMENT (and don't forget that is is where you'll find the Live in Wellington link).
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"I
ReplyDeletecan
still
only
play
six
strings
or
none,
and
not
all
the
fiddly
bits."
Joe Strummer
http://www.mediafire.com/download.php?l7j6uq5m1z1q9dj
terrific series of live shows. i know what i'll be listening to for the next while, thanks.
ReplyDeleteThanks
ReplyDeleteI think this Wellington boot is the best one so far..
Good grief this serial is bolting along, I've only just played yesterdays post.
ReplyDeleteThanks yet again.
Re the "ever-slicker production " it just added more to sublime songs.
Postbear
ReplyDeleteGlad to keep the music comin
Lemonflag
It`s great to hear these mid-period songs played in a solo electric setting.
BarrieB
more Bragg to come!
I'm with you--too much too much on the later discs, though "Worker's Playtime" was a delight. Lost the plot, I think, with the one that had "Moving the Goalposts" etc. Got a bit boring, or he needed better enemies (Maggie, Ronnie gone and so on). Maybe I got a bit boring then too!
ReplyDeleteThanks,