The Internationalists: Let The Pressure Start (1986)
The Internationalists – Let The Pressure Start
Label: Matchless Recordings – MR 11
Format: Vinyl, LP, Album
Also appear on V.A. Not Just Mandela (see HERE)
A1 Every Fifth Man Is Guilty
A2 Tighten Up
A3 Kicking On The Wrong Door
A4 Breaking You Heart
B2 Lay The Foundation
B3 Let The Pressure Start
B4 Tooth And Nail
Lead Guitar – Richard Holgarth
Rhythm Guitar, Vocals – Colin Wikes
Bass Guitar – Andy MacDonald
Drums – Dannie Prévost
Engineer – Frankie Falcon, Gavin Lewis , Rick Cassman
Flute – Red Ruth Lomond
Horns [Tenor Horn] – Jenny Clements
Tenor Saxophone – Greg Camburn
Recorded at Triple X Studios London on 17th, 18th an 19th July 1986.
"The Internationalists are a very young band firmly rooted in two traditions: that of a polemical music as old as socialism and that of the use of genuinely popular forms to express experiences of oppression, which is as old as folk music. In both respects they fall easily into the Matchless catalogue.
The primary thrust of their music derives from reggae, the quintessential late twentieth century form for the articulation of oppression and the articulation of solutions and calls to action. In the political use of what is rapidly becoming a universal form they have drawn on Bob Marley, Bunny Wailer, Misty, Aswad, The Zephaniah Band and U.B.40. Drawn on, but not imitated, for, although their instrumentation and musical phrasing echo the best of The Wailers at times and approach the rich textures of U.B.40 at others, the vocal delivery is uniquely post-Punk in anger, accent and attack. It is the voice of de-industrialized unemployed youth raised both against the conditions created by, and for, a realigning capitalism and in support of third world liberation movements fighting to establish alternatives. In this respect these Harlow based "leidermacher" stand alongside Dammers, Weller and Bragg.
The naked unambiguity of their position strikes many an historical resonance. Three examples: the didacticism of Brecht ("Tighten Up" might well have been dedicated to 'The Active Discontented' of our own time), the anthem making of Florence Rees ("Solidarity" and her 'Which Side Are You On?' share an underscoring of the need to continually affirm intra-class alliances) and the anger of the Sixties protest movements (Phil Ochs would have recognized the disgust animating "Kicking On the Wrong Door!").
Unlike many in the latter category however (locked into and finally lost on the college-based folk circuit as they were), The Internationalists have approached and won a wide and growing audience at the sharp end of created disadvantage which recognizes its own experience in their politics and music.
As you will hear, reggae is not the only form that these young musicians have adopted and adapted to the cause of distributive justice. The rock tracks included here carry the politics with equal facility as well as bearing witness to the skills and versatility of this committed young band which, in achieving a strong beginning, promises much for the future."
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